The Power Of Music

By Michael Jones|27-07-2018 | 5 Min Read
Music is a Language of Life

TOO often, our world seems to be filled with bits and fragments that don’t make sense. But then, we hear the music that tells the story and our world feels coherent and whole again. Two thousand years ago, Plato wrote about how “rhythm and harmony find their way into the inward places of the soul.” His words reveal the extent to which music has stirred our imagination since the beginning of time. For Plato, music was far more important than physics and philosophy, “… for the patterns in music and all the arts are the keys to learning.”

A force for transformation

For over twenty years, I have been integrating musical performances into my work with leaders. What has been most memorable for many is to listen to the music from the piano? It has been in the intimacy of this felt experience of the music that we realise what Plato first observed – there is no one single part of the brain that is stimulated through sound. Instead, the whole body and mind lights up and comes alive through the musical experience.

From the moment my aunt first set me on her lap and helped guide my fingers on the piano keys, I have been fascinated with music. I particularly enjoyed how music could co-mingle with the sounds of nature around me. During my years at a summer wilderness camp, I often found delight in creating musical soundtracks for the thunderstorms that would sweep over the camp on hot humid summer afternoons. I would play to the rain, to the wind and to the thunder, taking care to play to the feeling of the elements rather than simply the idea or concept of them.

READ: Managers As Conductors

So, music has always been an intimate and personal creation, often conceived in response to the feeling and need of the moment rather than repeating a formal composition conceived in advance. In the future, music will be seen not only as background or entertainment but also as a force for healing, change and transformation. The field of neuroscience is delving deeper into how the musical elements of time, pitch and volume corresponding to the bodily experiences of pulse, breath and movement, which in turn are an echo of the heart’s expressions of joy, sadness and exhilaration. Perhaps it helps to understand the power of music if we think of it as a vibration. The sound waves emitted through its performance directly alter the tone, atmosphere and feeling in the room. In this respect, sound is energy.

Makes us better listeners

The music enters the body. It is the language of breath and aspiration and as such, awakens us to see new possibilities and brings together the fragmented parts and make them whole again. One of the reasons that music holds such power in the Western world – where our cues are almost all visual – is that it reawakens our ability to truly hear. And while we can only see one thing at a time, we can hear everything at once.

Furthermore, what we see may be dead or inert but to hear something, it must be fully alive. So, music, itself is a language of life. As we listen, our senses act as a giant ear and the body becomes a symphony, which equips us to respond to the music’s most subtle cues. One executive I worked with told me, “after listening to you play, my team was inspired to have the conversation we have never had before.” Too often we hear a leader say in response to the challenges of sudden and unanticipated change: “We didn’t see it coming!”



Music offers us the gift of prescience. It helps us anticipate and prepare for what is emerging on the far horizon. In this respect, music is the key to our future and not only a nostalgic journey into the past. And this reflects the power that music has on us; it slows our pulse rate, calms the mind, relaxes the body and releases the emotions. It equips us to tune into the vibration world, one ripe with meaning and insight and one which holds critical information that is not as available to the linear or rational mind.

ALSO READ: How Music Helps You Lead
An inward path

Elena Mannes’s film, The Music Instinct: Science and Song includes an interview with Grammy Award-winning musician, Bobby McFerrin who shares a story about his close friend and globally-acclaimed cellist, Yo-Yo Ma. On a trip to Africa, Ma wanted to learn how to be more improvisational and responsive to the moment in his playing. He visited a shaman, whom he was told, could help him learn how to do this. In his first meeting, the shaman sang a song.

It was a very beautiful song and Ma started writing it down. But he was not able to complete his notation so he asked the shaman to sing it again. When the shaman sang the song again, it was different.“That’s not the same song that you sang before,” Ma said. The shaman laughed. “Well, the first time I sang it, there was a herd of antelope in the distance. And the cloud was passing over the sun. In the few minutes that have passed since I first sang the song, the wind had shifted and the people were feeling different: the song could not be the same the second time.”

As a communicator, when my speaking originates from the same place the music comes from, what I say and how I say it will always be different. My voice cannot be separate and apart from the larger vibrational field that is unfolding continuously within and around me. Yet, still, we live a fragmented existence in the notes and miss the music. So, when we do listen to the music, we may also hear again the rhythm and harmony that offer the inward path to the life of our own soul.

Prefer an e-mag reading experience? No problem! This article is also available in our 28 July 2018 digital issue, which you can access here.


Reposted from Management-Issues.com with permission on Leaderonomics.com.

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Michael Jones is a widely recognised leadership educator, keynote speaker, thought leader, pianist, composer and storyteller. He is an award-winning author of a series of books on Re-imagining Leadership including, The Soul of Place, Artful Leadership and Creating an Imaginative Life. He is also a Juno nominated pianist and composer, whose 15 popular recordings of original piano music have served as a benchmark for contemporary instrumental music and attracted an audience of millions worldwide.
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